![]() The Center for Technological Pain by Dasha Ilina mocks and questions our increasing connection, as a body, to the Internet of Things. The work originated when instead of the specific synthesizer the first person narrator asked for, she got an unwanted kitchen robot for her birthday. The artist and electronic musician Adina Camhy analyzes in her video MENSCH MASCHINE OR PUTTING PARTS TOGETHER different possible relationships between humans and machines, specially based on gender issues. © Adina Camhy, "Mensch Maschine Or Putting Parts Together" (film still), 2019 In the research, she creates a self-portrait that doesn’t resemble the artist at all, although the image will be recognized as such. In How do you see me?, the artist Heather Dewey-Hagborg utilized adversarial processes, algorithms that are designed to deceive machine learning systems. Non-human photography is neither of, by or for the human. The work reflects on the idea of when the camera shapes and regulates life, even far beyond ways that humans commonly use to exploit cameras. In her video ‘ Non-human vision’, she offers a compelling insight on the idea of AI dreaming up the human outside the human. She is a Professor of New Media and Communications, and Co-Head of the Department of Media and Communications at Goldsmiths, University of London. Joanna Zylinska is a writer, lecturer, artist and curator, working in the areas of new technologies and new media, ethics, photography and art. © Joanna Zylinska, "Nonhuman Vision" (film still), HD-video, 07-06 min., 2018 The source for the language comes from a bacterium which is considered to be Martian. Nimiia vibié is a peculiar work by Finnish artist Jenna Sutela for which she exploits a machine to create a Martian language through AI. ERMA is a cushion made of the first machine readable font. She created a series of tapestries related to privacy, data and war technology. Hence, in this work, humanity seems to grow into something new from there on… © Chris Dreier, "ERMA" (pillow), 2015Ĭhris Dreier is an icon from the Berliner 1980’s punk scene, whose artwork has oftentimes been forged from an activist’s point of view. The last image in the chronicle is Armstrong’s landing on the moon. ![]() It is a digital reproduction of a book edited by Hachette editions in 1986, from which all textual content has been erased. The work displays images and drawings depicting humanity in a chronological order, on a nearly endless scroll. ![]() This exhibition opens with a historical point of view through the artwork called Chronique de L’humanité by the French artist Lucie Planty, whose practice evolves around books and the art of editing.
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![]() With a full season mode and unique commentary, the league was treated as more than just a marketing bullet point which unfortunately was the case with competitor "NBA Live" when that series brought on the WNBA a few years ago.Īllowing for female-created characters could have been a better use of resources, though, than the WNBA, which has limited appeal. The WNBA has been added this year and the implementation was handled well. The highly customizable MyLeague Mode is largely unchanged but still very impressive for those seeking that true "franchise" experience. The exceptional gameplay is key to that, of course, and it's more true against the CPU than in online environments and with fantasy type modes where realism starts to fade away. Surprisingly, "2K20" may be the edition that is thought of more fondly by the primarily offline player rather than an online one. "NBA 2K" is the one series that has bucked that trend by continually moving its offline modes forward in substantial ways. Single-player offline modes that for decades were the foundation of sports games have seemingly been neglected due to that shift in resources. Most sports gamers have come to accept that the priority from the development end are the online modes that drive engagement year-round and also can generate digital revenue. ![]() Instead, valuable incremental improvements have been delivered that'll be appreciated by those who dig deep and know how to utilize all the tools available. There really hasn't been anything for "2K" in terms of gameplay that required drastic intervention. They should be able to hustle on fast breaks or in recovery situations regardless. The only downside is that there are situations where being out of turbo shouldn't mean the player can't reach top speed. That results in various moves and blow-bys that are far more effective and a better differentiation in players based on size and speed. Instead of turbo essentially being the default movement, it is instead now necessary to use it more sparingly and selectively. The biggest strategical change, however, has to do with the use of turbo, which is now more limited. Left stick movements are more effective on their own as well instead of having to combine with other controller inputs to make things happen. MORE: The biggest complaints from bug-filled "NBA 2K20" launchĪmong notable improvements, there are now 27 different types of ball handlers, which adds some personality and eliminates the feeling of uniformity. It will take some time to learn to do that same thing, but getting comfortable with the pick and roll and running some basic plays is a good start for most. Each team does so just like their real-life counterparts. It's impressive simply to watch the AI execute an offense. ![]() It still isn't a game that anyone could just pick up, play and instantly find success, but it is trending in the right direction to becoming less intimidating. There is a sense that "2K20" is a little more forgiving. Those who stick with it appreciate that about the game. It's complicated and difficult but over time becomes exceedingly rewarding. Widely regarded as offering the best gameplay experience in the genre, the "2K" series at some point along the way became overly technical to play. In the example below, we want to load Driver to Slot 1.
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